Galvanic or Voltaic Cell Definition

A galvanic cell is a cell where chemical reactions between dissimilar conductors connected through an electrolyte and a salt bridge produce electric energy. A galvanic cell can also be powered by spontaneous oxidation-reduction reactions. Essentially, a galvanic cell channels the electrical energy produced by the electron transfer in a redox reaction. The electrical energy or current may be sent to a circuit, such as in a television or light bulb. The electrode of the oxidation half-cell is the anode (-), while the electrode of the reduction half-cell is the cathode (). The mnemonic The Red Cat Ate an Ox may be used to help remember reduction occurs at the cathode and oxidation occurs at the anode. A galvanic cell is also called a  Daniel cell or a voltaic cell. How to Set Up a Galvanic Cell There are two main setups for a galvanic cell. In both cases, the oxidation and reduction half-reactions are separated and connected via a wire, which forces electrons to flow through the wire. In one setup, the half-reactions are connected using a porous disk. In the other setup, the half-reactions are connected via a salt bridge. The purpose of the porous disk or salt bridge is to allow ions to flow between the half-reactions without much mixing of the solutions. This maintains charge neutrality of the solutions. The transfer of electrons from the oxidation half-cell to the reduction half-cell leads to a buildup of negative charge in the reduction half-cell and of positive charge in the oxidation half-cell. If there were no way for ions to flow between the solution, this charge build-up would oppose and half the electron flow between the anode and cathode.

Creative Writing Alternate Jack and the Beanstalk

Jack Episode IV: The Magical Key Jack is your normal, everyday 15 year old kid. Since he could remember, he has always had to do without many possessions in his life. But he has always been happy-go-lucky, yet somewhat careless with his thoughts and actions. They lived in a rundown apartment building in the slums, and have been selling their possessions and finding miscellaneous jobs and tasks just to make it by. Jack was down to his last few cd’s and just a couple of dvd’s, while his mother was down to her collection of Shirley Temple porcelain plates that had a lot of sentimental value, but carried a decent value. So, she sent him down to the pawn shop to sell off the remaining items they had, to be able to make it through†¦show more content†¦As he walked through the door, he was shocked at the fact that the building that was quite small in appearance from the outside was massive once in the door, and continued on for what looked like forever. As he walk do wn the corridor, he was approached by a strange looking woman, wearing a long red coat, and her hair in a messy state, as it looked as if not to be washed or properly taken care of for many years. He asked her â€Å"What is this place?† She replied, in a raspy voice â€Å"This is the kingdom of Idd, and you are standing in what used to be the king’s foyer.† She went on to tell him of a tyrannical ogre that wanted the riches and spoils the king possessed. She went on to tell him â€Å"The ogre stormed the kingdom in the middle of the night, on a rampage through the castle itself, making his way up to the king’s chambers. Once there, he slaughtered the king, and made his way down the hallway to where the children slept, and did the same thing to all 5 children as they slept. The queen of the castle was not in the castle that night, along with 1 of the children. She had been called away on pressing matters in another kingdom and had taken her younges t son with her.† Jack stood with his jaw dropped, unable to really comprehend what was being told to him. â€Å"She fled to another realm knowing that she needed to keep her son and herself safe. She took the child to a city in the underworld, not

Graphic Design Free Essays

Visual communication is the transformation of thoughts and ideas into pictures, photos, graphs and drawings. It is considered as the most interesting and fascinating form of communication because of the creativity it contains and the vision it requires. According to Wikipedia, visual communication is most commonly used daily when surfing the internet because a person uses his eyes to view the websites therefore the content of the website should be clear and understandable for the viewer’s eyes. We will write a custom essay sample on Graphic Design or any similar topic only for you Order Now It is usually practiced by using the means of graphic design in order to put across their ideas into pictures or real life projects. This paper will talk about Graphic design, Graphic Designers, the steps a person needs to take to become a graphic designer, all the different fields in graphic design and the way the United Arab Emirates supports its students and future designers. Graphic designers are needed in all types of corporations including commercial and entertainment businesses. In accordance to Wikipedia, â€Å"graphic design is the process of communicating visually using text and images to present information. In contrast to what people might think, graphic design â€Å"often refers to both the process (designing) by which the communication is created and the products (designs) which are generated. † In order for a person to choose graphic design as a career path , that person should be exceptionally creative and artistic, capable of working under pressure to meet de adlines, and has the ability to communicate well with others because his job description will oblige him to correspond with clients frequently and execute their requirements and desires in his/her work. In reference to newsbytes, a graphic designer should be well aware of the functionality of his/her design rather than just being worried about meeting with the client’s request. â€Å"Give clients what they really need, not what they say they need† says Brad Husick, director of marketing for Clement Mok Design. Since graphic designers are responsible for designing the layouts of books, magazines, journals, websites and advertisements, they should always try to modernize their ideas by time in order for their business to receive more clients and become more successful. Another requirement of becoming a graphic designer is to receive a certificate that proves the person is capable of using any program that is relevant to design, since employers won’t request work experience but they would rather have a person with skill rather than experience (The Advertiser, March 1991). There is a long list to go through in order for a person to choose what part of graphic design he/she want to specialize in. That list includes creative director, layout artist, brand identity design, logo designer, flash designer, illustrator, technical illustrator, Photoshop artist, multimedia designer, photographer, prepress technician and a web designer. Each of these job titles has responsibilities such as, a creative director is responsible for â€Å"making sure that each of these workers produce and complete their work on time and to the client’s satisfaction. † A logo designer’s job is â€Å"to provide a new and innovative way to express the key message of a company through a recognizable image. And a web designer ‘s job is to create the pages, layout, and graphics for web pages, they play a key role in the development of a website. † Each one of these jobs requires different courses, different certificates, and different experience, but they all share the sense of creativity and inventiveness in them. They also require a sense of â€Å"visual and organizational s kills† in order for them to complete their vital duties towards the customers and their requests. In addition, these jobs require attention to detail, problem solving skills, and an up to date knowledge of using new design software. As for graphic designers in the United Arab Emirates, they are mostly local women who aspire to play an important role in the development in their country and hope to offer back just a part of what their country offered them as of education and job opportunities. I interviewed a small number of Zayed University Graphic design students, who are exceptionally enjoying their courses and university experience, partly because of the encouraging and artistic environment that surrounds them from teachers, colleagues and administrators. A graduated student commented on her own work â€Å"after accomplishing your design and perfecting it, you get a great sense of satisfaction and contentment from within. † (AlSiri,F. )She also talked about how her family are exceedingly supportive to her studies and designs and continuously try to help her improve her designs and outcomes. The majority of the students agreed that their university is tremendously encouraging and that their teachers are always enthusiastic about their work and designs and re continuously motivating them to work harder and achieve higher positions. They also praised the encouragement and support of His Highness Sheikh Mohammed Bin Rashed Al-Maktoum for the female students who are trying their best to fulfill their dreams and improve the development of their country, whereas he has made everything uncomplicated for them and helped them by promoting women as leaders and motivating women to head their own businesses and offices through his Highnessà ¢â‚¬â„¢ establishment for supporting small businesses. In conclusion, graphic design is an extremely interesting but difficult profession that requires a variety of skills due to its involvement in both art, I. T and communication. Whereas a graphic designer should learn how to communicate well with his clients, as a part of his job, in order for him to succeed and complete his work creatively yet to the client’s liking. Additionally, a graphic designer should be very accurate with his deadlines and might sometimes renounce the privilege of sleep, rest or food just to complete his requested orders and tasks. This career path is proven to be for individuals that have the ability and will to work hard and part of a team in order to accomplish the impossible, it also requires a passion for creating new designs and accepting criticism from people with different tastes. Communication research paper Graphic Design How to cite Graphic Design, Papers

English Language and Composition Deconstruction free essay sample

Utilitarianism holds that the moral worth of an action is determined by its outcome, and is often described by the phrase the greatest good for the greatest number of people. This passage focuses on what Mills perceives as Bentham’s lack of empathy, the ability to emotional identify with other people. Mills ascribes this lack of emotional depth to Bentham’s life which was without the hardships or challenges most people experience. [pic] 1. In the passage, the authors overall attitude toward Bentham can best be described as A) grudgingly appreciative B) cleverly nonjudgmental C) bitterly disillusioned This passage focuses on Bentham’s limited vision and is thus essentially negative (E), although it is neither vicious nor sarcastic (D). It is neither bitter nor disillusioned (C). Since it focuses on Bentham’s limitations, it is judgmental (B). 2. Which of the following best describes the function of the second sentence (lines 3-9) in the first paragraph? A) It qualifies and expands the opening sentence. B) It focuses on qualities Benthams language lacks. (C)It compares Benthams skills to those of other writers. (D)It provides an example of a brief digression. E)It signals a transition in thought from the opening sentence. 2. Answer: A The function of the sentence is to qualify â€Å"the certain degree† of Bentham’s endowments and to expand on the idea of these endowments (A). Although it does refer to the qualities Bentham’s language lacked, that was not its primary function (B), nor is its primary function to compare him with other writers (C). It is not a digression nor is it a transition of thought from the opening sentence since it does not lead to a new topic (D). 3. The authors discussion of Benthams ability to use imagery (lines 1-9) is best described as one of The author is not establishing his credentials as a historian, only that he is well read (A). He is not clarifying the previous sentence but providing examples to support it (B). He is not writing about poets, but historians (D) nor is he differentiating historians from poets, but focusing on the importance of the knowledge of human nature (E). 7. One purpose of the first paragraph is to (A)suggest that beauty is not an essential element of good art (B)discount the importance of imaginative thinking C) distinguish between two types of imagination D) suggest that artistic creativity is compromised by social responsibility E)reinforce popular views of creative imagination 7. Answer: C One of the purposes of the first paragraph, which deals with the importance of Imagination, which the author ties to empathy, is to distinguish between Imagination in the â€Å"popular sense,† which is the use of imagery and metaphor, and the author’s conception of Imagination as empathy (C) . He is not discussing either beauty nor art (A), and does not discount the importance of imaginative thinking, which he applies to empathy (B). He does not address the role of social responsibility (D) and is writing to discuss an alternative view of imagination, not reinforce the popular view. . Which of the following best describes the rela- tionship between the first paragraph and the second paragraph? (A)The second paragraph uses the claims made at the end of the first paragraph to examine an individual. (B)The second paragraph continues to expand the definition of imagination begun in the first paragraph. (C)The second paragraph supports the claim in the opening sentence of the first paragraph. (D)The second paragraph presents a more balanced view of Bentham than does the first paragraph. (E)The second paragraph supports the theme of the first paragraph by references to scholarly research. 8. Answer: A The best description of the relationship between the first and second paragraph is that the second paragraph applies the general points made in the first paragraph to a specific individual, Bentham (A). It does not continue to expand the definition but to apply it to an individual (B), nor does it support, but contradicts the first sentence, focusing on Bentham’s limitations (C). The first paragraph is primarily about the concept of Imagination rather than Bentham (D). There is no reference to scholarly research, only allusions to respected authors (E). 9. The stylistic feature most evident in lines 32-62 (By these ay read) is the use of A) series of prepositional phrases B) repeated syntactical patterns C) metaphor D) analogy (E)allusion 9. Answer B This question asks for the identification of a stylistic feature. The most evident is the use of metaphors such as â€Å"He was a boy†¦. † â€Å"never was awakened in him† â€Å"never been made alive† (B ) There is no repetition of prepositional phrases (in time, at home) (A) nor repeated syntactical (sentence) patterns (C). There are neither direct analogies (comparisons) (D) nor allusions (references to books or other things outside the text) (E). 10. Which of the following rhetorical devices is used n lines 35-38 (He had neither satiety)? A) Antithesis B) Oxymoron C) Euphemism D) Personification (E)Apostrophe 10. Answer A This question asks for the identification of a rhetorical device. It is antithesis, the contrasting of ideas in a balanced phrase, â€Å"internal experience nor external†¦Ã¢â‚¬  (A). It is not oxymoron, the combining of contradictory terms (deafening silence) (B). It is not Euphemism, an inoffensive or indirect expression that is substituted for one that is considered offensive or too harsh (passed away for died) (C). It is not Personification, a description of something nonhuman in human form (the sun smiled at us) (D). It is not Apostrophe, an address some absent person or thing (Come, you spirits That tend on mortal thoughts†¦. ) (E). 11. In lines 35-48 (He had neither in him), the author suggests that Bentham A) writes without a clear purpose B) has a fear of human aberration C) cannot understand strong human feelings D) does not value information based on observation (E)has little respect for others opinions 11. Answer: C The author suggests that Bentham cannot understand strong human feeling, his major weakness (C). He is not referring to Bentham’s writing style (A) nor is there any indication of a fear of human aberration or deviance (B). Bentham does value information based on observation but had limited life experience which limited his observation to the empirical (factual/scientific) (D). There is no reference to other’s opinions (E). 12. In the context of lines 43-48, Self-consciousness means A) awkwardness B) caution C) shame D) idealism (E)introspection 12. Answer E In the context of lines 43-48, â€Å"Self-consciousness† means consciousness of oneself or introspection (E). There is no indication of awkwardness (A), caution (B), or shame (C). Bentham was not idealistic (D). 13. The author most likely includes the clause He aw accordingly in man little but what the vulgar- est eye can see (lines 59-60) in order to (A)convey the limitation of Benthams perception (B)illustrate Benthams preoccupation with base and coarse actions (C)suggest that Bentham could see nothing good in others (D)imply that Bentham had no sympathy for others misfortunes (E)suggest that Bentham understood the common people best 13. Answer A The author includes the clause â€Å"He saw accordingly in many little but what the vulgarest eye can see† in order to elaborate on Bentham’s lack of emotional depth and understanding (A). Bentham is not preoccupied with common or crude actions (B). The author does not suggest that Bentham could see nothing good in others, just that his emotional understanding was limited (C). Bentham is not unsympathetic, just lacked empathy (D) and had no special understanding of anyone (E). 14. The authors attitude toward Benthams abilities as a writer might be best described as (A)dismissive because of the narrowness of Benthams experience and understanding (B)jealous because of Benthams undeserved success and happiness (C)undecided because of the paucity of information about Benthams life D)disapproving because of the uniformly serious tone of Benthams prose (E)appreciative because of the accuracy of Benthams observations 14. Answer A Overall, the author’s attitude toward Bentham’s ability as a writer is negative or dismissive because of Bentham’s limitations (A). There is no indication of jealously, only an element of pity (B). He clearly is not undecided, no r is there any indication of a lack of information (C). The author’s negativity does not come from Bentham’s tone, but Bentham’s limitations (D). The author does not really address Bentham’s observations except that they are limited (E). 5. The author characterizes Bentham primarily as an individual who A) has been wrongly ignored B) lacks poetic insight C) is too uncompromising D) has a childlike sense of fantasy (E)has a highly idiosyncratic style 15. Answer B The author’s primary characterization of Bentham is as someone who lacks poetic (emotional) insight (B). He does not say that Bentham has been ignored (A). There is no discussion of Bentham as uncompromising (C). While Bentham may be childlike in his lack of emotional depth, he is not characterized as childlike (D). The author’s primary concern is emotional depth, not style (E). 6. The area of experience of which Bentham is said to be most ignorant is the A) intellectual B) practical C) emotional D) analytical (E)moral 16. Answer C The are a of experience of which Bentham is most ignorant is emotional, due to the lack of challenge in his personal life (C). His lack is not intellectual (A) or analytical (D) but emotional/empathetic. He is practical (B) and there is no indication that he is immoral (E). 17. The passage as a whole is best characterized as A) a personal reminiscence B) a treatise on style C) a critical evaluation D) an ironic attack (E)a factual report 7. Answer C The passage as a whole is a critical evaluation of Bentham and his limitations (C). It is not a personal reminiscence since there is no reference to a personal relationship (A). While it touches briefly on style, it does so only in passing (B). It is not ironic, and while critical of Bentham’s limitations, is not an attack (D). While it may contain factual information, that is not its purpose (E). Essay 2 This excerpt, written in 1940, from an autobiographical essay by W. E. D. B. Dubois (unidentified in the excerpt), portrays the emotion al trauma of his experience of segregation. Dubois was an early civil rights activist who countered B. T. Washington’s philosophy of accommodation to segregation and elevation of the race by hard work, with calls for active protest. In this essay, Dubois conveys the psychological impact of a system of segregation. He does this within the intellectual context of history, his life experience, as well as his experience at Harvard University (where he was the first African American graduate) and lecturing in Germany. [pic] 18. The speakers primary purpose in the passage is to (A)justify the need for class structures in the modern world B)seek restitution for wrongs committed against him (C)establish the major distinctions between race issues and class issues (D)convey the psychological impact of a system of segregation (E)condemn physical force as a means of maintaining segregation 18. Answer D This question asks for the primary purpose of the passage as a whole. Beginning with the scholarly and moving to the personal, the author conveys the psychological impact of segregation (D). He is clearly not justifying the need for class structures in the modern world but showing the damage they do to individuals (A). He does not seek restitution (payment to the victims to compensate for damages) (B). He is showing the connection between race and class issues rather than making distinctions (C). While we can assume his condemnation of physical force, he is primarily presenting the effect of social and psychological forces (E). 19. Line 7 (continually knocking his hands, head and heart) provides an example of A) antithesis B) alliteration C) apostrophe D) analogy (E)anticlimax 19. Answer B Line 7 provides an example of alliteration, the repetition of initial consonant sounds â€Å"his hands, head, and heart† (B). There is no antithesis, the juxtaposition of contrasting ideas in balanced phrases (â€Å"Youre easy on the eyes, hard on the heart) (A), nor apostrophe, an address to a person or intagible (Bright star, would I were steadfast as thou art) (C). There is no analogy, the comparison of two pairs which have the same relationship (Memory is to love what the saucer is to the cup. ) (D). It is not an anticlimax, the usually sudden transition in discourse from a significant idea to a trivial or ludicrous idea (He has seen the ravages of war, he has known natural catastrophes, he has been to singles bars. ) (E). 20. The series of phrases in lines 12-14 (in muscles became divine) suggests the (A)uncertainty that people felt about their own social class (B)internal conflicts rampant in a rigid class system (C)many ways that class structure was maintained (D)inability of government to rule without the support of religion (E)transition from a society ruled by force to one ruled by law 20. Answer C The series of phrases lists the many ways the class system was maintained (C). It has nothing to do with any uncertainty that people felt (A), or the internal conflicts of the class system, even though it was brutally maintained (B). The reference to religion implies the use of religion by government, not its dependence upon it (D). The list moves from brute force to law and religion; these existed together and the order does not imply a transition or movement (E). 21. In relation to the rest of the passage, the first paragraph provides (A)historical information that illuminates the speakers own circumstances (B)an analogy that puts the reader in the same situation as that in which the speaker exists (C)a comparison between the life of sixteenth- century artisans and twentieth-century artists (D)conflicting statements about the social position of artisans in Europe E)a personal reminiscence that alters the speakers views 21. Answer A The first paragraph provides a parallel between the 16th century and the present oppression experienced by the speaker (A). It is not an analogy, a comparison of two pairs which have the same relationship, since it is not putting the reader in the same situation as that in which the speaker exists (B). It is not a comparison of artists, but of oppressed peoples (C). There are no conflicting statements about the artesians in Europe (D). Although there are personal reminiscences (stories from memory), they illustrate rather than alter the speaker’s views (E). 2. The second paragraph is significant in that the speaker (A)cites a counterexample to that in the opening paragraph (B)makes use of the power of personal experience (C)outlines his assumptions about the readers experiences (D)traces the history of modern discrimination (E)utilizes eyewitness accounts to document claims 22. Answer B The second paragraph is significant in that the speaker makes use of the power of personal experience (B). The examples are not counterexamples (examples that refute or disprove an idea) to the opening paragraph, but establish a contemporary parallel to it (A). It does not outline his assumptions of the reader’s experience but details the author’s own experience (C). It traces the author’s experience of discrimination rather than outlining a history of discrimination (D). The only eyewitness accounts of his claims are the author’s and these are limited to generalities rather than accounts of specific experiences (E). 23. The word education (line 24) refers to A) formal learning in school B) independent learning gained from personal reading C) learning acquired through recitation D) learning obtained through experience E)learning influenced by parents 23. Answer D The word education in line 24 refers to the education of first hand experience (D). It does not refer to formal learning in school (A), or to independent learning from reading (B), nor does it refer to recitation (C). There is no reference to parents (E). 24. In context, the phrase sleepless vigilance (line 27) suggests A) a nervous inability to sleep B) an obsessive concern for safety C) the relentless desire for freedom D) the disruptive ferment of new ideas (E)the determined enforcement of a system 24. Answer E In context, the phrase â€Å"sleepless vigilance† in line 27 refers to the comprehensive system of constraints that maintain segregation (E). Sleep is used metaphorically, not literally (A). Vigilance refers to oppression, not safety (B) or the desire for freedom (C). The vigilance is to maintain oppression, not to enforce it (D). 25. The speaker uses lines 30-40 (I could not largely excluded) primarily to (A)emphasize the effects of racism by cataloging his experiences (B)criticize past social practices in discriminatory countries (C)signal a shift in focus that will be discussed subsequently (D)illustrate the fear that made it difficult for im to write (E)decry the injustices suffered by all peoples in subordinate stations 25. Answer A The speaker uses these lines to list the ways racism has impacted every aspect of his life (A). It is to detail his own experience in America rather than to criticize past social practices in other countries (B). It does not signal a shift in focus but serves to strengthen his argument through personal experience (C). There is no indication that he had difficulty in writing, although he was limited in what he could publish (D). While he implies a universality of his experience to all African Americans, he focuses on his own experience. 6. As used in line 55, gainsay is best interpreted to mean A) deny B) deplore C) articulate D) reiterate (E)emphasize 26. Answer A The word â€Å"gainsay† in context is best interpreted as something that was impossible to deny (A). Impossible to deplore is the opposite of the way it is used here (B). It is not impossible to articulate, or express in detail, since that is exactly what the author is neither doing (C), nor it is impossible to reiterate, or state again (D). Since the author is emphasizing the effects of racism it is not impossible to emphasize it (E). 27. The speaker uses the word impossible twice at the beginning of the final paragraph (line 55) in order to (A)contrast the ironic first use of the word with the straightforward second use (B)return to the writing style used in the first paragraph of the essay (C)explore the development of a logical argument (D)imply that all impossibilities are created by humans (E)highlight the strong feelings that the subject engenders 27. Answer E The speaker’s use of â€Å"impossible† twice in the beginning of the final paragraph emphasizes his strong feelings of frustration (E). Both words are used in a straightforward way (A). The writing style in the final paragraph is more emotional then the first, so it is not a return (B). While it may be true that all impossibilities are created by humans, the final paragraph focuses on the effect of segregation on the author’s emotional state (C). The final paragraph is emotional rather than logical (D). 28. The effectiveness of the final paragraph is primarily a result of its A) demand for immediate action B) reliance on extended metaphor C) use of specific example D) tone of defensiveness (E)investigation of a claim 28. Answer C The effectiveness of the final paragraph is primarily a result of its use of the specific example of the African American friend on the train being mistaken for a service worker (C). It is not a demand for action (A). The example is not a metaphor (B). The tone is one of frustration and perhaps anger, not defensiveness (D). He is not investigating a claim, he is denouncing the reality that exists (E). 29. The final sentence of the passage (lines 58-64) moves from (A)conveying a private awareness of an injustice to covering up its public aftermath (B)relating an incident to decrying its implications C)citing universal truths to searching for exceptions (D)expressing an idea to demanding punishment for an action (E)showing forgiveness to taking personal responsibility for a mistake 29. Answer B The final sentence of the passage moves from relating the incident (friend on the train) to decrying its implications (inescapable sign of slavery) (B). There is no cover up (A). It does not mov e from a universal truth but toward one (C). There is no demand for punishment (D). There is no show of forgiveness nor is there any indication that the lady on the train took personal responsibility for her mistake (D). 30. The speakers tone might best be described as A) callous and reckless B) petulant and critical C) resigned and reconciled D) detached but hopeful (E)civil but angry 30. Answer E The speaker’s tone might best be described as civil (polite) but angry (E). It is not callous (emotionally hardened) nor reckless (A). It is not petulant (Cranky/easily irritated) although it is angry and is critical of American society (B). It is neither resigned (passively accepting) nor reconciled (accepting as inevitable) (C). It is neither detached (emotionally uninvolved) nor hopeful (D). 31. The primary imagery of the passage is that of A) flight B) creation C) confinement D) darkness (E)punishment 31. Answer C The primary imagery of the passage is that of confinement, being limited (C). He cannot fly or run away from segregation (A) and nothing is being created (B). While the mood may be dark, the imagery is not (D). While the author does feel unjustly punished by the effects of slavery and segregation, punishment is not a central image (E). Essay 3 This excerpt is from a recent work examining Benjamin Franklin from a contemporary perspective. The author feels that Franklin would be quite comfortable in modern America. He examines those critical of Franklin and cautions us to not mistake the image of himself that Franklin developed in his autobiography with the deep values that motivated him. It contains an extensive footnote exploring the use of the word â€Å"meritocracy† as it is used in the essay and its origin and development as a term. [pic] 32. The device used in lines 8-17 (We can values) to convey Franklins character is A) allusion B) hypothetical examples C) extended simile D) refutation of assumed traits (E)argument based on personal attack 32. Answer B The device used in line 8-17 to convey Franklin’s character is a series of hypothetical examples, imagining Franklin in contemporary situations (B). There are no allusions (brief references to a person, place event, or to another literary work) (A). There are no similes (comparisons using like or as) extended or not (C). He is not refuting (anticipating and countering opposing points of view) anything (D). There is no personal attack (E). 33. The rhetorical purpose of lines 14-17 (And we values) is to (A)assert that the contemporary view of Franklin distorts his accomplishments (B)suggest that Franklin did not balance his ursuits particularly well (C)encourage the reader to analyze present-day leaders in the light of Franklin (D)make Franklin seem more morally upright than he may actually have been (E)prompt the reader to feel kinship with Franklin on the basis of the challenges he faced 33. Answer E The rhetorical purpose (author’s purpose) of lines 14-17 is to prompt the reader to see Franklin as someone we could relate to in a modern setting, based on his attempts to balance reputation, wealth, earthly virtues, and spiritual values (E). The author sees Frankin’s accomplishments as enhanced by a contemporary view (A). He praised Franklin for his attempts to balance his pursuits (B). There is no comparison of Franklin to contemporary leaders (C). There is no attempt to make Franklin seem morally upright (D). 34. This item was not scored. 35. The first paragraph characterizes people in the contemporary United States primarily as A) charitable yet exacting B) zealous yet deceitful C) self-effacing yet proud D) genial yet self-interested (E)mean-spirited yet honest 35. Answer D The first paragraph characterizes people in the contemporary US primarily as genial (sociable – networker, having a beer, sharing) and yet self-interested (D). There is no reference to charitable (giving to the needy) or exacting (demanding perfection) (A). There is neither a reference to being zealous (filled with enthusiasm for a cause) or deceitful (dishonest) (B). Contemporary people are described as neither self-effacing (humble) nor proud (C). They are not characterized as either mean-spirited or honest (E). 36. They in line 21 of the passage refers to people who (A)disagree that Franklins life exemplifies commercial values (B)want to reevaluate the importance of Franklins writings (C)believe that Franklins legacy is not appreciated sufficiently D)have reservations about Franklins values (E)want others to be as inspired by Franklin as they have been 36. Answer D â€Å"They† in line 21 refers to people who have reservations (limited acceptance) about Franklin’s values. There is no reference to commercial values, other than practicality (A), and these are not people who want to reevaluate Franklin’s writing, but do have an opinion (B). These are not people who think Franklin is underappreciated (C), nor are they particularly inspired by Franklin or actively promoting him (E). 37. The misunderstanding discussed in lines 35-37 is that many who study Franklin A)ascribe greater geniality to Franklin than his actions support (B)confuse Franklins public statements with his private beliefs (C)believe that Franklin had a fundamental faith that in fact he lacked (D)do not study the public Franklin enough to understand him thoroughly (E)rely too much on government records in then- analysis of Franklin 37. Answer B The misunderstanding discussed in lines 35-37 is that many who study Franklin confuse his public statements â€Å"moral maxims† for his private beliefs â€Å"fundamental faiths† (B). Geniality here refers to the tone of his public statements, not Franklin himself (A). The sentence states that he was motivated by â€Å"fundamental faiths† (C). These â€Å"many who study Franklin† are people who do understand him (D). There is no reference to government records (E). 38. The final paragraph (lines 30-37) functions as (A)a repetition of the views previously established B) a diatribe against those who devalue Franklin C) an authorial judgment about a preceding discussion (D)a critique of Franklins autobiography (E)a controversial conclusion to a contentious debate 38. Answer C The final paragraph functions as the authorial (from the author) judgment about the preceding discussion (C). It introduces new ideas so it is not a repetition (A). It is not a diatribe (angry criticism) (B). It is not a critique (a critical review evaluating something) nor does it directly reference Franklin’s autobiography (D). The conclusion is not controversial nor is the debate contentious (quarrelsome) (E). 39. Which of the following sentences best represents the authors main point in the passage? (A)Franklin has a particular resonance in twenty-first-century America. (lines 1-2) (B)We would admire both his earnestness and his self-aware irony. (lines 13-14) (C)Some who see the reflection of Franklin n the world today fret about a shallowness of soul and a spiritual complacency that seem to permeate a culture of materialism. (lines 18-21) (D)They regard Franklin as an exemplar of the personal character and civic virtue that are too often missing in modern America. (lines 27-29) (E)Both sides too often confuse him with the striving pilgrim he portrayed in his autobiography. (lines 33-35) 39. Answer A The author’s main point in the passage is that Franklin is relevant for 21st century America (A). While we would admire both Franklin’s earnestness and his self-aware irony, self-aware irony is not the main point (B). Though some see Franklin as a negative (C) and others as a positive (D) these are not the author’s focus. Similarly, when the author concludes that both sides confuse him with the â€Å"striving pilgrim† in his writing, this is not the point the author is making. 40. This passage is most probably excerpted from A) an article about Franklin in a business journal B) a work of cultural criticism attacking Franklin for the decay of traditional values C) a book about Franklins scientific research D) a biography of Franklin intended for a general audience (E)a newspaper account of historians onflicting views of Franklin 40. Answer D The article is most probably excerpted from a biography of Franklin intended for a general audience (D). Since the author does not focus on business (A) or science (C), specialized journals would be unlikely to publish this general article. The author does not blame Franklin for the decay of traditional values, although he states that some others might see him as a reflection of this decline (B). While the passage does deal with conflicting views of Franklin, both the style of writing and the extensive footnote would not be characteristic of newspaper writing. In addition, the author’s main purpose is not to contrast the two views, but to argue that Franklin â€Å"has a particular resonance† for our times (E). 41. The main purpose of the footnote is to A) introduce readers to an ongoing discussion B) explore an alternative solution to a problem C) document the authors credentials D) list all possible sources available on a topic (E)explain the authors bias against another historian 41. Answer A The main purpose of the footnote is to introduce the readers to the ongoing discussion of the word â€Å"meritocracy† (A). It does not explore a problem, but the use and history of the word (B). While the scholarly footnote may help establish the author’s credibility, it does not document his credentials (C). It lists two uses of the term not all the possible sources (D). There is no indication of bias (E). 42. In the second line of the footnote, the number 31 most probably indicates the (A)page of the Weekly Standard on which the reference appears (B)edition of the Weekly Standard in which the article appears (C)volume number of the Weekly Standard in which the article appears (D)page in the authors book where the citation ppears (E)number of times in the authors book that the citation appears 42. Answer A In the second line of the footnote, the number 31 indicates the page number since it is at the end of the citation (A). Neither the edition (B) nor volume (C) numbers are listed and, if present, would be placed after the title of the periodical, Weekly Standard. It is clearly from the article b y Brooks since there is no reference to the passage’s author (other than Brooks) in the citation (D). If the citation appears in the author’s book multiple times, it would not be written in this form (E). 3. Answer E In the footnote, the author uses the phrase â€Å"somewhat ironically† primarily to comment on the irony that an author writing about social mobility based on merit became a Lord, gaining a hereditary title and social position having nothing to do with merit (E). He is not satirizing the author’s view (A) nor saying that the author is not the inventor of the phrase (B). Since he is simply providing information on the origin of the term rather than arguing a position, he is not eliciting support from readers (D). 43. In lines 7-8 of the footnote, the author uses the hrase somewhat ironically primarily to (A)satirize a rival authors narrow view of what constitutes merit (B)disparage an authors claim to being the inventor of a phrase (C)engage t he reader in thinking about the limits of the role of social thinkers (D)elicit support from readers who do not approve of the British monarchy (E)comment on the apparent disparity between an authors views and his social rank 44. In the last sentence of the footnote, the word it refers to A) Yuppie (line 1 of the footnote) B) meritocracy (line 2 of the footnote) C) vision (line 4 of the footnote) D) social mobility (line 5 of the footnote) (E)dismissive term (line 10 of the footnote) 44. Answer B The â€Å"it† in the last sentence of the footnote refers to (is the antecedent to) to meritocracy (B). The word â€Å"Yuppie† refers to Franklin (A). Both â€Å"Vision† (C) and â€Å"social mobility† (D) are part of the definition, not the word itself (C). The â€Å"dismissive term† is meritocracy, not â€Å"yuppie† (E) 45. Which of the following is an accurate reading of the source for the quotation in the last sentence of the footnote: social order [that] follows the principle of careers open to talents? A)Brooks, David. Our Founding Yuppie, Weekly Standard, Oct. 23, 2000, 31. (B)Brooks, David. A Theory of Justice. Cambridge: Harvard University Press, 106. (C)Young, Michael. The Rise of the Meritocracy. New York: Viking Press, 1958. (D)Rawls, John. A Theory of Justice. Cambridge: Harvard University Press, 1971, 106. (E)Rawls, John, and Dav id Brooks. Found in Weekly Standard and A Theory of Justice. Reprinted by permission. 45. Answer D An accurate reading of the source for the quotation in the last sentence of the footnote is the citation that immediately precedes it (D). It is not from Brooks, from whom the information at the beginning of the footnote came (A) (B), nor is it from Young’s book, the originator of the phrase (C). It is not Rawls and Brooks, since they are authors of separate works (E). Essay 4 This passage from an essay by contemporary American writer, Joyce Carol Oats, was published by Ontario Review Press, a journal and later a publishing company founded by Oates and a partner, two Americans working and teaching in Canada. It was intended to bridge the gap between the literary communities of both countries. It later moved to the US when Oates took a position at Princeton University. It has published many of Joyce Carol Oates’ works. In this essay, Oates discusses the difference between Joyce Carol Oats, â€Å"I† and â€Å"JCO,† the writer, which Oats identifies not as a person but a process which operates through her but is distinct from her. She goes on to generalize this distinction between the individual and the artist, then returns to herself. [pic] 46. In line 1, the phrase to that other primarily does which of the following? (A)It explains why the statement nothing ever happens (line 1) is true. (B)It identifies the one to whom nothing ever happens (line 1). (C)It indicates uncertainty by inverting normal ord order. (D)It suggests that what appears to be a fact is not. (E)It undermines a generally accepted view. 46. Answer B In line 1 the phrase â€Å"to that other† primarily identifies the one to whom â€Å"nothing ever happens†, â€Å"JCO†, the process (B). It does not explain the statement but identifies to whom it is that nothing ever happens (A). The word order is not inverted or reversed (subject/verb to verb/subject) (C). What Oates says is a fact, is that nothing ever happens to â€Å"JCO† the writing process. She believes this is true since â€Å"JCO† does not age etc. and is frozen in the piece of writing (D). Although most readers would not make the distinction between â€Å"I† and ‘JCO,† the phrase does not undermine the generally accepted view since its function is to identify (E). 47. In relation to the first sentence (line 1), the second sentence (lines 2-6) serves to (A)introduce a persona that contrasts with the one introduced in the first sentence (B)simplify the figurative language used in the first sentence (C)explain how the oxymoron found in the first sentence is not really true (D)use metaphorical language subtly to contradict the first sentence (E)undermine the distinction between fact and fiction that was stated in the first sentence 7. Answer A A persona is the role that one assumes or displays in public or society as distinguished from the inner self. In relation to the first sentence, the second sentence introduces the persona of â€Å"JCO† that contrasts with the one, â€Å"I†, introduced in the first sentence (A) There is no figurative l anguage such as simile or metaphor in the first sentence, although there is in the second (B). There is no oxymoron (combination of contradictory terms, as in a â€Å"deafening silence†) in the first sentence (C). The use of metaphor serves to illustrate abstract concepts and relationships rather than to contrast with the first sentence (D). It further develops the distinction rather than undermines it (E). 48. In line 9, the author argues that the difference between writing and writers is primarily that the (A)person doing the writing can never really understand the truth expressed in the writing (B)person doing the writing has more in common with other writers than with the writing that she or he produces (C)person doing the writing is perceived as less real than the writing that is produced (D)writing can be perfect but the person doing the writing can be flawed (E)writing itself is never as vital as the person doing the writing 48. Answer C In line 9, the author argues that the difference between â€Å"writing† and â€Å"writer† is primarily that the person doing the writing is less real then the writing itself: †Writing exists, Writers do not†¦. † (C) She is not arguing that the person doing the writing can never really understand the truth expressed in the writing but that the writing is separate from the writer (A). While writers agree, they do not necessarily have more than that in common (B). She does not discuss the perfectibility of either (D), nor does she suggest that either is more or less vital (E). 49. Which best describes the syntax of lines 17-18 (JCO texts) ? A)A list of problems followed by a possible solution B) A pair of negations followed by an assertion C) A statement that balances known and unknown ideas (D)A complex sentence that makes use of hyperbole (E)An unusual construction with no clear subject 49. Answer B The syntax (sentence structure) of lines 17-18 is best described as a pair of negations (â€Å"†¦not a person nor even a personality†¦Ã¢â‚¬ ) followed by an assertion (â€Å"†¦but a process†¦Ã¢â‚¬ ) (B). The person and personality are not problems, nor is there a solution (A). The ideas are not balanced: although the first half of the sentence states the negative, the second, the positive (C). It is not a complex sentence (A sentence that contains at least one independent clause and one dependent clause) and does not make use of hyperbole (exaggeration for effect) (D). It has a clear subject, â€Å"JCO† (E). 50. Lines 18-21 (Some sun) rely primarily on A) repetition B) analogy C) classical allusion D) ironic commentary (E)appeal to authority 50. Answer B Lines 18-21 rely primarily on analogy (a comparison of two pairs which have the same relationship) retained texts/bleached by memories to pages/bleached by sun (B). There is no repetition of either diction (words) or syntax (sentence structure) (A). There are no classical allusions (references to Greek or Roman works, myths, etc. ) (C). The sentence is not ironic (language in which the intended meaning is the opposite of what is stated) (D). There is no appeal to authority (something that is claimed to be true based on the expertise of an authority rather than objective facts) (E). 51. It can be inferred from the passage that people ignore the obvious truth (line 36) for which of the following reasons? (A)They are too intimidated to disagree with famous writers like the author. (B)They do not want other people to tell them ow they should view art. (C)They conclude too quickly that there is a difference between good and bad art. (D)They are unwilling to accept that art is something that can be bought and sold. (E)They misunderstand the relationship between an artistic creation and its creator. 51. Answer E It can be inferred (understood even though not directly stated) from the passage that people ignore the â€Å"obvious truthà ¢â‚¬  because they misunderstand the relationship between an artistic creation and its creator, since they do not understand the distinction she makes between the â€Å"I† and â€Å"JCO† (E). There is no reference to people being intimidated, only that they fail to see that the individual artist/writer, â€Å"I†, is irrelevant (A). It suggests a lack of understanding not a resistance to a point of view (B). It does not refer to good or bad art (C) or that art can be bought and sold (D). 52. Lines 48-55 (It. .. will) have all of the following EXCEPT A) a comparison B) a metaphor C) verbs in the imperative mood D) a subordinate clause (E)scientific diction 52. Answer C Lines 48-55 have all of the following EXCEPT verbs in the imperative mood (verbs used as direct commands or requests) (C).